daniel schneidermann造句
例句與造句
- "' Daniel Schneidermann "'is a French journalist, born in Paris on April 5, 1958, who focuses on the analysis of televised media.
- Since September 2007, Paul Amar presents " Revu et corrig?" every week on France 5, succeeding to Daniel Schneidermann and " Arr阾 sur images ".
- After his studies at the " Centre de formation des journalistes ", Daniel Schneidermann joined the newspaper " Le Monde " in 1981, where he was made a foreign correspondent in 1983.
- Liberation published a commentary on Friday on the book and the firing written by Daniel Schneidermann _ who was himself fired last fall by Le Monde for remarks about that newspaper in his book " La Cauchemar Mediatique " ( The Media Nightmare ).
- Each month, an internet " forum-master, " who is responsible for following the viewer debates in the internet forum for " Arr阾 sur images ", comes on the show to question Daniel Schneidermann about remarks submitted by the contributors to the site.
- It's difficult to find daniel schneidermann in a sentence. 用daniel schneidermann造句挺難的
- Daniel Schneidermann argues that the 2015 attack raised the profile of the paper internationally with non-Francophone audiences, meaning that only parts of the paper are selectively translated into English, making it easy to misrepresent the editorial stance of the publication and the purpose of provocative work.
- Daniel Schneidermann, a media commentator writing for the left-wing " Lib閞ation ", thinks that BFMTV " may not set out to be right-wing but it ends up that way de facto ", claiming that BFMTV " over-cover [ s ] her " because they need good ratings and Le Pen " always gets a good audience ".
- Since 2008 a television channel, Arretsurimages . tv, which broadcasts the weekly debate led by Daniel Schneidermann, the literary program ( " D @ ns le texte " ) presented most often by Judith Bernard, the program " @ ux Sources " by Maja Neskovic and a program on the television series and films launched in October 2012, " @ u prochain 閜isode ", hosted by film columnist Rafik Djoumi.